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Light Worship

by Bill Boethius & Dali's Car

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1.
Sleeping Niobe Living at different times, in different dimensions, It wasn’t possible – even for a space traveller – to make contact with Niobe. And yet her ebon form pressed heavily against my pale thoughts. So much so, that – taking a leaf from the master of the mystic arts, I did insinuate myself into her heady dreams.
2.
Ockam’s Switchblade Your switchblade knife is your axe, your wand, your mojo. Ockam’s switchblade is a particular use of your machine. It’s when you use it like Ockham’s Razor, and so to slice through the Gordian knot of existence. Blast a hole through the wall and grab it all by the ghoulies. This track is just that – a blasting jam of loud guitars. Guitars are blown apart in the process. Sometimes destruction is just .... Necessary And cleansing.
3.
Blues after the Revolution Blues is not a music *of* the revolution, but rather a music that comes *after* the revolution. It expresses that post revolutionary feeling; that, ‘the more things change, the more they stay the same’. The bluesman is therefore philosophically a Stoic, a resigned fatalist, but one who embraces life in all its contradictions. Revolutions come, and revolutions go, But the Blues, they live on for ever. Even so, every blues bears the imprint of the revolution which preceeded it. This blues track here is rare – it is a window into a future revolution.
4.
A Genealogy of Metals There are gods of metals. From metalloids to supermetals, Ferrous compounds, & pure Germanium. Metals are seen by many, As a gift from the gods. Here I have distilled a few metals, Smith-like, anvil hammered, Heat blasted and fired cooled, And all full of worship.

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Emphasis on far reaching cosmic guitar sounds and deep sonic explorations - worshipping light, and lightly worshipping.

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released September 23, 2017

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Bill Boethius & Dali's Car London, UK

"The Dali of guitar noise".
Free improv,
Cinematic Sounds:
Strange Blues:
Cosmic Jazz,
Poetry settings,

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