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experimental guitar bass organ Synth drum machine homage strange blues Space cosmic symphonic

space-time is bending seriously about here !!

I let the sounds lead me.

There must be a kind of 'reminding of something else', it rather is wrapped in a forgetting. If I sought to make something unheard of, then I would go much further out. So there is a line between the derivative and the original. Its a murky region of reminding and forgetting. It's like that apocalyptic scenario where a survivor tries to mime a long forgotten TV programme.
There might be a process like this: step 1] learn from others. 2] proudly display your influences. 3] hide some influences, over emphasise others. 4] deny all influences 5] forget all influences. 6] sound like yourself. 7] forget yourself 8] sound like no one else, not even yourself. 9] become an influence without wanting to.

wonderful sound mash, devilish, psychedelic and discombobulating, Bill

my shadow side comes out in the sounds I make, my evil side. The psychedelic is second nature to me stemming from the ancient Greeks onwards - I want to create order out of chaos ... no I want to create chaos out of chaos - MY chaos!

I like where this is taking me.

lyrics

Doffing his three pronged crown,
The Green Manalishi into
God's shoes stepped.
For some serious blues,
For some serious blues,
He crept.

On feedback he rode one time,
And the legions did follow,
But they could never match
Our Greeny sublime.

credits

from Gateway to the Supernatural - strange space guitar instrumentals, released October 4, 2015
Bill Boethius

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Bill Boethius & Dali's Car London, UK

"The Dali of guitar noise".
Free improv,
Cinematic Sounds:
Strange Blues:
Cosmic Jazz,
Poetry settings,

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